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AUTHOR WRITING TIPS – LJ CLARKSON

TheSilverStrand_fullresLJ Clarkson is the author of The Silver Strand, an MG Fantasy Adventure for 9-12 year olds, The Silver Strand is Book 1 in the Mastermind Academy Series.

ABOUT THE SILVER STRAND

Ever since twelve year old Isabelle Tresdon’s silver strand of hair sprouted, it’s been nothing but trouble: bleeding pink dust and sparking like a firecracker.  Refusing to be known as the girl with the freaky, grandma hair, she wishes it never grew and the hair withers and tarnishes.

The only problem is, the strand is Isabelle’s source of magic, and she can transform particles of energy into matter. It’s also her ticket into Mastermind Academy, a secret school inside the earth’s core. Five days remain before the strand drains her magic and life, forcing Isabelle to enter into a deal with two trickster Masterminds to save it. But what she doesn’t count on is that there is more at stake than just her life.

THE INSPIRATION FOR THE SILVER STRAND

I wrote The Silver Strand when I found my first grey hair (yikes!), and thought it would be cool to have a hair with magical powers as it’s really different.

Louisa Clarkson author picL J CLARKSON’S WRITING TIPS

1. Characters need to have strengths and weaknesses which affect their journey. Otherwise they’ll be too perfect and the reader can’t relate to them. For example, in The Silver Strand, my character Boldrick, who is a man trapped inside the body of a cat, has excellent animal senses and can sense a storm a mile away by the whistle of wind on his whiskers! But he has poor reflexes and crashes the flying machine!

2. A book doesn’t always need to have a bad guy. The problem(s) characters face create something for the character to remedy and conquer.

3. A story must have 3 acts. Act 1  – a beginning where you introduce the characters and their problem. Act 2 – a middle where the character tries to solve the problem but something happens and they fail. Act 3 – the end where the character’s problem is resolved.

4. The ending of a chapter should be left on a cliffhanger, like your character gets into a tight spot and can’t escape. This makes the reader want to continue reading.

5. If a character has magical powers, there must be a limit to their powers, otherwise they’ll be so invincible that no enemy can beat them, and that would just be boring zzzzz.

 

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AUTHOR WRITING TIPS – MARGARET PEARCE

ObeliskTrap-WebToday’s author, Margaret Pearce is the writer of THE OBELISK TRAP, published by Kayelle Press, and the first in their series Awesome Aussie Tales.

ABOUT THE OBELISK TRAP

When mysteriously transported to The Place with No Name, Billie, Charlie and their uncle are in real trouble.

They have a deadly secret that must be kept at all costs. Billie is a girl, and girls will be destroyed. Yet there seems no way back home.

Easy enough for Billie to pretend to be a boy except she can’t seem to control her smart mouth and is sure to end up in strife one way or another.

They don’t know who they can trust and there are eyes and ears everywhere. They need to escape and fast.

MARGARET’S INSPIRATION

THE OBELISK TRAP was written as the result of a weird nightmare, which just proves that even nightmares can be useful. I wrote this because tomboys always seem to have good ideas on escaping unwanted situations.

margaret photoMARGARET’S WRITING TIPS

  1. Write what you think about first, and THEN think about grammar and spelling. It is always much easier to correct something written than sit in front of an empty screen/page because you can’t remember how to spell.
  2. Does it sound okay if you read it aloud? People who used to tell stories to crowds probably had rotten eggs thrown at them if they didn’t keep their story interesting. No one copes with being bored.
  3. Try to show not tell what your hero/heroine is feeling. Saying ‘I’m/ he/she is scared’ doesn’t give the same message as showing. Fear causes odd reactions. Sometimes you are frozen and unmoving. Sometimes hearts go thump, thump, thump as if they are going to stop. Sometimes hands go all clammy. Anyone remember really feeling VERY scared/nervous/excited?  If so use the symptoms in your next story.
  4. A story, whether long or short, has a beginning, middle and an end. Otherwise it is just an incident to put into a story. Every listener/reader wanted to know WHAT ended up happening and WHY and WHEN.
  5. Sometimes, if you decide the beginning isn’t going to grab attention you can start at the exciting bit and flash back to a fairly quick explanation of the beginning. No one in these modern times is interested in long rambling explanations. MOBY DICK by Herman Melville and written in 1851 is about an obsessive whale hunter Captain Ahab has the first five chapters describing a fishing village.  So how many of you have ploughed through MOBY DICK?

THE OBELISK TRAP is available from Kayelle Press.

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