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Happy Book Day – Boo Loves Books

Boo Loves Books is a gorgeous picture book for readers aged 3-6, written by Kaye Baillie, illustrated by Tracie Grimwood and published by New Frontier Books.

Kaye Baillie has a Diploma in Professional Writing and Editing which she began while still an Executive Assistant in a power supply company in Melbourne, Australia. Following her passion for picture books and storytelling, Kaye continued to work and study creative writing to achieve her goal of becoming a full-time children’s author. She is the author of Archie Appleby: The Terrible Case of the Creeps, (Wombat Books, Australia, 2017) and Message In A Sock (MidnightSun Publishing, Australia, 2018). Message In A Sock was shortlisted in the Western Australian Young Readers’ Book Award (2019) and also in the NSW Premier’s History Awards (2019).

Kaye has two educational books published with Cengage Learning and various short stories in children’s literary magazine, The School Magazine, Australia. She has four forthcoming picture books due in 2020/21.

She is an active member and the Assistant Co-ordinator of SCBWI Victoria, Australia and is a member of the Children’s Book Council of Australia. She is represented by Essie White of Storm Literary Agency who she met at the 2019 Sydney SCBWI Conference. She lives in Surf Coast Victoria with her family, two fluffy cats and a silly dog.

THE INSPIRATION BEHIND BOO LOVES BOOKS

As a children’s author, I’m always looking for inspirational true stories to write about. Boo Loves Books is based on a news article about a Book Buddies program where primary school students read to homeless cats at the Animal Rescue League of Berks County, Pennsylvania. What captured my attention was the transformation of a boy who took part in the program.

TRACIE GRIMWOOD ILLUSTRATOR

Tracie Grimwood is a Melbourne based illustrator and artist. She has worked as a professional freelancer since graduating with a Bachelor of Graphic Design from Swinburne University, Melbourne, in 1991. She has produced illustrations for a diverse range of clients around the world from book and magazine publishers to advertising agencies, design studios and government departments.

She is known for work that is emotive and whimsical with a delicate, yet rich sense of colour and texture. In recent years she has developed her personal practice to further explore her connection with the natural world and her interest in anthropology and history, drawing on themes from myths and folk tales. Her painting technique references her illustration background as well as primitive and folk traditions. Her paintings and prints can be found in private collections around Australia, the US and UK.

ABOUT BOO LOVES BOOKS

Phoebe is not a confident reader and avoids it whenever she can. When her teacher, Miss Spinelli, organises a trip to the local animal rescue shelter, Phoebe is asked to read aloud to a dog, Big Boo. As if reading wasn’t hard enough already! After a scary start for Phoebe and the dog, she not only learns empathy but gains confidence and finds joy in her reading as well.

Download teacher’s notes and activities from New Frontier’s Website. http://d.site-cdn.net/916339b02a/a13ed7/boo-loves-books-teaching-notes.pdf

HOW KAYE WROTE THIS BOOK

  1. My writing is always best when I write about something I care about. If I don’t enjoy spending time with my characters, then I know it’s not going to work.
  2. Most of my writing is inspired by true events or people. I enjoy doing the research.
  3. The story’s themes are varied and universal: anxiety, feeling left out, kindness, empathy, animals, books, reading, pet therapy, doing your best, sharing.
  4. I like that this story not only has important themes but is humorous as well.
  5. The illustrations are so attractive and relatable and provide another level to the story.

HOW TRACIE ILLUSTRATED IT

1.  I developed the main characters first.  The text gave me clues about each character’s personality so I tried to translate that into their appearance, their gestures and expressions, and even their hairstyles.  I then worked the skecthes up as colour samples.  This helped define the style for the rest of the book.

2.  I mapped out the whole book in thumbnail form to make sure the flow of the illustrations suited the narrative.

3.  I then focussed on the interactions between the characters.  It’s important to show the emotions of the characters and their relationships with each other.   Picture books don’t have a lot of text so the illustrations need to show what the text doesn’t tell.

4.  I then drew all of the rough sketches to scale, making sure space was left for the text.  You have to get this part right so that the characters are consistent on every page.  You can use tricks such as relative proportions where, for eg. a character might be three or four heads high.

5.  Then I painted all of the final illustrations in colour, again focussing on consistency.  This is one of the big challenges of illustrating picture books.  You have to be able to reproduce the characters doing all sorts of things at differnt sizes and from different angles.  It also helps to make colour swatches and to use the same base colours on your palette from which to mix your colours all the way through the book.

BOO LOVES BOOKS BOOK TRAILER

WHERE TO FIND KAYE ONLINE

Twitter Kaye Baillie

Website Kaye Baillie

Facebook: https://www.facebook.com/kaye.baillie.5

Instagram: https://www.instagram.com/bailliekaye/?hl=en

Boo Loves Books will be available in all good bookshops including Torquay Books, Great Escape Books, Pictures and Pages, Readings and Dymocks. It is also available on Booktopia, Boomerang Books, Amazon.

Congratulations Kaye and Tracie on your beautiful new book!

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Happy Book Day – James Gong: The Big Hit! By Paul Collins

ABOUT THE AUTHOR

Paul Collins has written many books for younger readers. He is best known for his fantasy and science fiction titles: The Jelindel Chronicles and The Quentaris Chronicles ─ co-edited with Michael Pryor. His trade series The Earthborn was published in America by Tor. Paul has been short-listed for many awards and has won the Inaugural Peter McNamara, A Bertram Chandler, Aurealis and William Atheling awards.

ABOUT THE BOOK

James Gong is training for his black belt in taekwondo. One night a camera crew from Hollywood Productions turns up at training for an episode of My Life, only to see James at his most ornery aggressiveness. They love James’ jumping spinning sidekick, and decide to star him in a small budget flick. Trouble is, Hollywood Productions is a scam company that basically produces B grade ‘loser’ movies to offset huge tax bills.

Meanwhile, James, who likes his sister Caitlin’s best friend, Amber, thinks his sudden film career will curry favour. Not so. If anything, Amber shuns him more so. Hollywood Productions may want to lose money, but underestimates their star.

It’s early days, but so far a couple of reviewers have given it ‘Highly recommended’ reviews. Here’s one from a teacher-librarian in Qld: https://losangzopa.wordpress.com/2020/03/29/james-gong-the-big-hit-paul-collins/?fbclid=IwAR2v_PyoRzl0NNL1kzvm8vGormKsc8c4q9QLETDTo4oxuWsf6Qy2IEFKDWA

THE INSPIRATION BEHIND THIS STORY

Basically, I like plot and action-driven fiction. Think Eoin Colfer, Peter O’Donnell and Philip Reeve. James Gong: The Big Hit is basically extreme martial arts (he does many stunts on blades). I have a history in martial arts – I’ve also written eight books on various martial art disciplines. So personal experience went into this book.

WRITING TIPS

1/ People say you should write what you know about. That in itself is pretty limiting unless you have a huge knowledge base. But a vet, James Herriot, is known to have written (with his wife) a hugely successful series of books. And you’ll find many such authors successfully utilising their personal knowledge. Those who know a lot about dogs, could write articles on them, much as, say, a person who knows about chickens, etc. Seek out magazines that specialise on these subjects and write specifically for them. I did this with a computer magazine called PC User. They’d never published fiction till I sent them a science fiction story. I wrote a story about a dog and sent it to a magazine about dogs. I wrote a trucking story for a magazine called Truckin’ Life – they’d never thought about fiction till I sent them a story. I wound up selling a handful of stories to that magazine and its sister magazine The Interstater.

2/ Writing for kids I think it’s a must to keep them turning the page. Action is a good way of doing this (admittedly, action doesn’t suit every book!!!). I’m not going to put my foot in it and start naming names, but there’s a hugely popular Australian YA author who isn’t a good writer, but he writes page-turning books. Most authors envy his sales record (but not his writing ability).

3/ It’s all very well writing because you’re passionate about writing. But at the end of the day, do you want to get published? Seek out what publishers are publishing. You need to be quick, of course, because a fad this year mightn’t be a fad next year. Gothic stories were big for a while as was sick-lit. Horror had its day quite some time ago with RL Stine and others. But if you can work out a trend and get in on it early, you have a better chance of getting published if you have a finished manuscript when the wave is high.

4/ As a publisher, I receive around 700 manuscripts a year. Most are picture book submissions. I can’t tell you how many don’t know how format a picture book manuscript. Most text doesn’t fill a 32-page picture book template. Many start on page one, when in fact, they mostly start on page four (first three are imprint, half title and title pages – not always, but most often). A publisher sees a poorly executed manuscript and that’s immediately a minus point for you. For those who haven’t been published, I’d suggest joining a writing group. Most states have a writers’ centre. Ask them to help you find one. RMIT, Melbourne Uni, Victoria University, Deacon and others have writing courses. I don’t think they actually teach you how to write as such, but they do everything else.

5/ Read, read and read more. Especially the genre in which you’re writing. There’s not much point in writing science fiction if you haven’t read any. Similarly, writing picture books when clearly you don’t know the layout is a no-no. Most who write picture books seem to forget there’s an illustrator involved. Why describe what your character is wearing, for example, when the illustrator will show what they’re wearing. Describing an action like skipping is superfluous, because again, the illustrator will show this movement. So immerse yourself in these books before trying to write them.

WHERE TO FIND PAUL ONLINE

https://twitter.com/fordstreet

https://www.facebook.com/fordstreet

https://www.linkedin.com/in/paul-collins-0954293a/?originalSubdomain=au

VIEW THE BOOK TRAILER

 

WHERE TO BUY THE BOOK

Any good bookshop or the author’s website www.paulcollins.com.au

Congratulations Paul on your new book, James Gong: The Big Hit

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